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Pilot Press is delighted to present the publication of Derek Jarman's unrealised film treatment, The Assassination of Pier Paolo Pasolini in the Garden of Earthly Delights (1984).

Jarman's treatment takes as its subject matter the events leading up to and including the 1975 murder of the Italian film director, Pier Paolo Pasolini, following the making of his controversial last film Saló, or the 120 Days of Sodom (1975).

The setting of the film takes as its inspiration the Dutch renaissance painter Hieronymus Bosch's triptych The Garden of Earthly Delights (1490-1500), a painting that depicts both the joys and dangers of temptation, and which Jarman encountered on a visit to the Museo de Prado in Madrid the year he began working on the project.

For the first time, the final draft of the film's treatment is presented alongside reproductions from the film's workbook, which show Jarman's calligraphic notes towards the film's sequences, themes, cinematography, lighting, sound, costume, casting and props.

The year 2025 marks fifty years since Pasolini's murder and thirty-two since Jarman's death due to AIDS. Against a backdrop of funding cuts to the arts and the arrival of the HIV/AIDS epidemic that vanished away so many important artists and visionaries, The Assassination of Pier Paolo Pasolini in the Garden of Earthly Delights is a powerful elegy to the decadence of queer cinema and the tragedy of its last auteur.